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BasTa! Duo / Amélie Legrand

Basta Duo

03/02/2023

BasTa! Duo / Amélie Legrand

03/02/2323
doors 19h00, 1st set 19h30 — limited space, come on time!

BasTa! Duo
https:// soundcloud.com/alexisbaskindmusic/basta-lamento
https:// soundcloud.com/alexisbaskindmusic/basta-is-not-wheel

https:// soundcloud.com/alexisbaskindmusic
https:// alexisbaskind.net
https:// soundcloud.com/caroline-c-tallone-k-li
https:// www. facebook.com/KLI.caroline.cecilia.tallone/
https:// vimeo.com/user20370814

Amélie Legrand
https:// amelielegrand.jimdo.com

BasTa! is not drone. BasTa! is not hurdy-gurdy. BasTa! is not electronic music. BasTa! is not unplugged. BasTa! is not fancy. BasTa! is not a capella. BasTa! is not a game. BasTa! is not a revolutionary social movement. BasTa! is not a non-profit organization. BasTa! is not Pasta. BasTa! is not slow-food. BasTa! is not RGNTDJÛ. BasTa! is not genug. BasTa! is not das Ende. BasTa! is not an insult. BasTa! is a Mischling.

Alexis Baskind

Alexis Baskind, born in France, living in Berlin, is a double bass player, music producer and sound engineer. He regularly participates in studio productions as well as music, dance and theatre projects based on electronic music and acoustic instruments, playing with and without electricity.

Alexis Baskind, in Frankreich geboren, wohnhaft in Berlin, ist Kontrabassist, Musikproduzent und Klang Regisseur. Er nimmt regelmäßig an Studioproduktionen sowie Musik-, Tanz- und Theaterprojekten teil, die auf elektronischer Musik und akustischen Instrumenten basieren, und spielt mit und ohne Strom.

Caroline Tallone

Born in Switzerland, she lives in Berlin and has been working as a musician and violin maker since 2014. Living in Cremona and Milan, she worked and performed throughout Europe with various Italian ensembles, orchestras and singer-songwriters. With a background in classical, early and folk music, she now works with experimental, electroacoustic and improvised music. She has performed as a musician and performer at various concerts, festivals for experimental music, electronic improv/noise music festivals and theatres in Milan, Oslo, Berlin, Zurich, Leipzig and Munich. She has participated in artistic residencies in Germany, Lithuania and Switzerland and collaborates with many musicians and performers of the Berlin and international scene. She is involved in various research projects and has recorded several CDs and audiovisual works.

Geboren in der Schweiz lebt sie in Berlin und arbeitet als Musikerin und Geigenbauerin seit 2014. Als sie in Cremona und Mailand lebte, arbeitete und spielte sie in ganz Europa mit verschiedenen italienischen Ensembles, Orchestern und Singer-Songwritern. Mit einem Hintergrund in klassischer, alter und volkstümlicher Musik beschäftigt sie sich jetzt mit experimenteller, elektroakustischer und improvisierter Musik. Sie ist als Musikerin und als Performerin auf verschiedenen Konzerten, Festivals für experimentelle Musik, elektronischen Impro/Noise Musik Festivals und in Theatern, in Mailand, Oslo, Berlin, Zürich, Leipzig und München aufgetreten.
Sie hat an künstlerischen Residenzen in Deutschland, Litauen und der Schweiz teilgenommen und arbeitet mit vielen Musikern und Performern der Berliner und internationalen Szene zusammen. Sie ist an unterschiedlichen Forschungsprojekten beteiligt und hat mehrere CDs und audiovisuelle Werke aufgenommen.

Amélie Legrand

Amélie Legrand is a French cellist and composer. She is active within many different musical scenes, including free improvisation, noise, rock experimental and film score composition. She is dedicated to exploring the cello to its fullest potential and collaborating with various performers and artists. She will perform a solo set working with cello and electronics building a trance emo-noise landscape.

Amélie Legrand ist eine französische Cellistin und Komponistin. Sie ist in vielen verschiedenen Musikszenen aktiv, darunter freie Improvisation, Noise, Rock-Experimental- und Filmmusikkomposition. Sie widmet sich der Erforschung des Cellos in vollem Umfang und arbeitet mit verschiedenen Interpreten und Künstlern zusammen. Sie wird ein Solo-Set aufführen, das mit Cello und Elektronik arbeitet und eine Trance-Emo-Noise-Landschaft aufbaut.


Part of CTM Vorspiel 2023

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Wouter Jaspers / Gilles Aubry

Wouter Jaspers

01/02/23

Wouter Jaspers / Gilles Aubry

Doors: 19h00
Start: 19h30
Limited space, come early!

Wouter Jaspers : Facsimile (2022)
www. wouterjaspers.com

Gilles Aubry : R’bia, Harsha, Cinta 
www.earpolitics.net

Bios:

Wouter Jaspers
In this performance Dutch composer/performer Wouter Jaspers will present an electro-acoustic rendition of his own work Facsimile (2022, WP), a piece of 4 individual electronic tones for magnetic tape, speakers and microphones. Jaspers developed a rudimentary system for re-miking electronic tape recordings, adding compositional decisions in amplitude only and will be using this instrument to perform this piece.

Wouter Jaspers (Deurne, Netherlands, 1986) is an electro-acoustic sound artist, composer, and electronic instrument designer making use of his busy tour schedule to amass a noise archive where the narrative qualities of sound become catalysts for dark ambient chasms and ear-splitting adventures. Jaspers records and performs music under his own name, but also as Franz Fjödor, Das Gezicht, A Cryptic Mantra and others. He has performed as part of The Haters, To Live and Shave in LA, was one half of the Jim Morrisons and a member of 4daladiez & Meldy Peaches. With fellow Brabander Steffan de Turck he performs and records as Preliminary Saturation, with Dutch legend Frans de Waard he is Ezdanitoff, and with fellow Berliner Hainbach he performs and releases records as Odd Narrative. Jaspers was the co-founder, director and chief designer of the musical instrument manufacturer KOMA Elektronik in Berlin between 2011 and 2020. In this role, he designed electronic musical instruments for musicians keen to experiment, including the popular Field Kit series, based on his own musical practice. Lately he is investigating chance-based music and new composition techniques. –

Gilles Aubry

Gilles Aubry is sound artist and musician living in Berlin. He presents a new live set based on seaweed ecologies in Morocco. Using feedback and electronics, he explores sounds’ capacities to interact symbiotically. He’s released several records on adocs, Corvo, and other labels, and with experimental noise band Monno.

Part of CTM Vorspiel 2023

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FLUGLÄRM -> 1st TAPE RELEASE // GUSTAVO OBLIGADO & DR. NEXUS

FLUGLÄRM -> 1st TAPE RELEASE // GUSTAVO OBLIGADO & DR. NEXUS

27/01/23

FLUGLÄRM -> 1st TAPE RELEASE // GUSTAVO OBLIGADO & DR. NEXUS

Doors: 19h00
Start: 19h30
Space is limited, come on time!

– FLUGLÄRM
– GUSTAVO OBLIGADO & DR. NEXUS
………………………………………………………..details:::
– FLUGLÄRM
https:// www.facebook.com/fluglaermmusic

– GUSTAVO OBLIGADO & DR. NEXUS
https:// gustavoobligado.bandcamp.com/
https:// drnexus.bandcamp.com/album/poisoned-therapy

Part of Vorspiel CTM festival

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Project VO / Sacha Kahir

Project VO

24/01/2023

Project VO / Sacha Kahir

Doors: 19h00
Start: 19h30
limited space, come on time!

Project VO + Sanja Star
https:// www.tumblr.com/project-vo
https:// youtu.be/yRMfwjxNtHc (link to previous collaboration)
https:// projectvo.bandcamp.com/
http:// www.riekookuda.com/biography.html
https:// avirtmusic.weebly.com
https:// sanjastar.myportfolio.com/

Sacha Kahir
https:// elektroakustischegarage.bandcamp.com/album/wallstreet-poems
https:// elektroakustischegarage.bandcamp.com/album/demagnetisierte-generation-iii-2
https:// www.mixcloud.com/Resonance/bad-punk-21-may-2021-we-are-the-dead/

Project VO

Project VO is an improvising duo between Antti Virtaranta and Rieko Okuda working since 2010. Their approach is handcrafted like their limited releases “glass hopper” (2012) and “プランクトン” (2015), which reflect the way they navigate the free improvisation landscape. The characteristics of the music is repetitive and broken rhythms. The combination of piano and bass has expanded to include viola and small electronics, which further push the duo to explore more colours and textures for their performances. They actively perform throughout Europe and in Japan including collaborations with different performers. More recently Project VO was invited to do a week-long residency in Budapest collaborating with a large number of Hungarian performers.

SANJA STAR (Croatia, 1982) is an experimental media artist & multidisciplinary designer based in Berlin since 2015, working at the intersection of media and visual performance art, improvisation and computer graphics. She has a background in fine arts and graphic design and through her practice offers reflections on the perception of reality – particularly in relation to the boundaries between physical and esoteric, human and alien, self and otherness and notions of time. Her work is a contemporary and playful mix of media art and 3D animation. Through limited but vibrant colour palettes and mesmerizing abstract shapes, she explores and harnesses our perception of depth and movement. Her passion for art, music, quantum physics and her curiosity led her on the path of a constantly evolving visual language.

Rieko Okuda is a pianist and a composer from Japan. She began to play Classical music at the age of 3. She also studied Music Therapy at Doshisha Women College. Music Therapy led her into Contemporary music and Improvised music. After she graduated from the college, she moved to USA to study Jazz music. She fell right into the Jazz scene in USA, performing with some of the great American Jazz musicians (Bob Mintzer, Jon Faddis, John Fedchock etc) at several jazz festivals such as North Texas Jazz Festival, Nortredam Jazz Festival to name a few. A couple of years later, she got interested in Free Jazz and Improvised music while she was in Philadelphia. She performed with the great improvisers includes Marshall Allen (from San Ra Orchestra), Elliott Levine (recorded with Cecil Taylor), and Calvin Weston (recorded with Ornette Coleman). Her interests in Improvised music led her to move to Berlin. She performs with various musicians in Berlin ex. Tobias Delius, Axel Dörner, Els Vendaweyer, Linda Frederickson, etc. Also, she collaborates with contemporary dancers such as Yuko Kaseki, Akemi Nagao, and Annapaola Leso (from Sasha Waltz.) She performs at several experimental festivals: A L’arme Festival, JOE Festival Essen, Brda Contemporary Music Festival, XChange Festival, Experymental Festival, Flux Festival, and Soundance Festival to name a few.
In 2017 and 2018, she got the residency in Elektronik Music Studio (EMS) in Stockholm, Sweden. This residency experiences inspired her to Electro-Acoustic field, and she started to invite the electronics to her piano solo pieces. Her first Electro-Acoustic solo album “Paranorm” was released from Japanese record label, Athor Harmonics, on Feburary 2018. “Paranorm” was performed at Koncertkirken Blagards Plads (DK), Ausland, FLUX Festival (DE), and Vardklockans Församling (SE).
In 2020, she has gotten the residency in Visby International Centere for Composers (VICC) to extend her experience, and find more possibilities to create various sounds and composition techniques.

Antti Virtaranta is a Finnish bassist. Born in Stockholm, Sweden, he has moved from place to place throughout his life. As a teenager he started playing bass in math rock bands. He went to Philadelphia, University of the Arts, to study jazz. There he was introduced to free jazz and improvised music which led to his relocation to Berlin in 2011. Since then he has been performing throughout Europe and Japan in different groups.
His musical influences lie in mathcore, electronic music, jazz, and contemporary classical music. He takes various elements from each and weaves them together to create his sound. He has performed with many artists including Tristan Honsinger, Elliot Levin, Axel Dorner, Silke Eberhardt, Ignasz Schick and many more. He also collaborates with visual artists and dancers.

Sacha Kahir

Sacha Kahir combines improvisation, poetry, performance art and ritual, with noise and field recordings. With new work combining poetry and manipulated field recordings from Berlin’s U-Bahn stations. It will build on previous collaborations and work with poesi fysik, Ultra Red, Resonance FM and Sean Bonney (1969-2019). Stories and soundtracks from below ground as history breaks down into dust sounds and symbols.

Part of CTM Vorspiel 2023

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Daniel Johnston Day

Daniel Johnston Come On And Fight

Daniel Johnston Day

early start: 18h00 !!
start: 18h30
space is limited! come early!!

For the fourth time as part of transmediale/CTM Vorspiel, Marco Brosolo and Soundwatch celebrate January 22, the birthday of late singer-songwriter-artist Daniel Johnston and his ever-growing legacy.

Anagram Space will host a mini exhibition of re-appropriated art based on Johnston’s iconic drawings, with Alvise Bittense, Christopher Bannat, Marta Sesana, Julia Rahne and Marco Brosolo, there will be a screening of rare live footage of Johnston’s first European concert (by Annette Maechtel) and music videos of cover versions (by SHOXXX, Chikiss, Klaus Beyer, Sound 8 Orchestra feat. Vanette and Brosolo). Marco Brosolo and Friedemann Bochow will perform live covers and record a limited edition cassette available immediately afterward.

Part of the CTM Vorspiel festival.

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ODYSSEY #4

odyssey 4

21/01/2023

ODYSSEY #4

Saturday, January 21st
doors 7pm, show 7.30pm

rouge-ah
Urška Preis, electric harp
https:// rouge-ah.bandcamp.com/album/bare
https:// youtu.be/Ns2P_X-zcDI

Ludwig Wandinger
Laptop, Midi-Controllers and Pedals
https:// www.ludwigwandinger.com/
https:// ginandplatonic.bandcamp.com/album/spiritual-decay

Pablo Ulises Lienhard
Tape Release Show
no-input mixer
https:// pablolienhard.com/no-input-mixer


ODYSSEY is a series of events run by Pablo Ulises Lienhard that started in 2022 in Berlin. It is called „Odyssey“ in reference to the artists second name „Ulises“ but also to play with the idea that every edition can be something different and is allowed to be in a constant state of (re-)searching. The events are taking place irregularly in changing venues and all explore a more or less vague idea or concept.

ODYSSEY #4 is going to be the release show of Pablo Ulises Lienhard’s self-released solo album „Klangkörper“. Klangkörper is an album dedicated to sounding bodies, feedback, resonance, tuning and beatings.
All sounds in Klangkörper were generated by feedback loops through a mixing desk that were diffused and spatialized using various „sounding bodies“, resonating objects and (transducer) speakers giving the sometimes harsh or clean electronic sound some sort of physicality or „body“.

The release show will be embedded between performances by rouge-ah (Urška Preis) on electric harp and Ludwig Wandinger on electronics.

part of CTM Vorspiel 2023