Electro-Acoustic
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The works on Electro-Acoustic are “Electro-Acoustic Santur” (1989), for 2 santurs, 4 micro-processors and electronic sounds. “Guitarra Cubana” (1988) is presented in the form of 3 sequences. The first two sequences combine guitar sounds and phonetic sounds, the last one uses only guitar sounds. “Inflexions Vocales” (1982) with Françoise Vanhecke (soprano) is a vocal composition for soprano with accompaniment by a stereo tape. The final work is “Le Reveur au Sourire Passager” (1977) with Jean-Claude Frison (reciter). La composition, à travers le poème, décrit un monde obscur, profond, incompréhensible et mystérieux.
