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“what happens inside a beer can?
what happens when I squeeze a contact microphone in my fist?
what happens when I plug a no-input mixer into my macintosh?

From where comes this infra-bass?
Why do I feel like if I can’t control my system?
Do I really need to control everything?
Or a total sound confusion is it enough?

Precise soundscapes, sheer intense noise attacks, meticulous work on the intensity and dynamic. Using a strange technic of contact microphones, metal wires, and beer cans, phroq explores a new sound universe, a serious work (by the form and will) but also a funny way (by technic) of the experimental electro-acoustic and noise music.”