Gestaltsystem 01 :: Possible Forms

SKU: 15738 Categories: ,

18,00  VAT Included

15,13 
non-EU

Only 2 left in stock

“This release is a totally reworked version of “Possible Forms” previously produced as CDR in edition of 100 copies by Nova Ars Digitandi, and it’s a part of “Gestaltsystem” installation.
It has unique conception of everchanging sound sculpture, composed by randomly juxtaposed audio fragments of the specially designed structure. This is the best digital sound art piece we ever heard, and it should appeal to all minimal electronic music admirers.”

“POSSIBLE FORMS is not a double-CD album, but it’s an audio-set composed by two CDs planned to be played simultaneously. It includes sixteen electronic compositions of identical length (5’ 20”) for a total time of 42’ 42” for each CD.
This work is conceived in order that every track of each record could play as second layer on every track of the other one. For this reason, the tracks hasn’t neither title nor a pre-arranged sequential order.
Macrostructure: the Black CD includes 8 tracks with metrical-tonal elements, while the White CD contains 8 tracks of only noise drones. Both CDs have the same peak level (0dB), so the listener can choose the respective volume of each CD. These recordings contain ultra/sub sonic frequencies; for this reason the author advices the listener not to play the CDs at high volume.
Microstructure: all the tracks are obtained from a special combination of forty different audio fragments, previously selected and extracted from various digital sources. The minimal form of the entire work was specifically created to facilitate the listening in combined modality, establishing this way a precise relationship between sign and function.
Vertical audio system: using two CD players (or CD-ROM/DVD players) in Random / Shuffle and Repeat modes, both players have to be started simultaneously. So, the two records can be played together ad libitum, generating sounds and sequences in continuous movement.
POSSIBLE FORMS uses sound strategies based on the calculation of auditive times and spaces in order to create a different kind of audio-logic design. In this sense this work can be intended as a device able to expand the ordinary possibilities of domestic listening.” – liner notes