Memory Like Water

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The six (or seven) pieces on these CDs document live performance works which span 1996 to the present. Most of the solo pieces are structured improvisations, in that they have a broad form which is repeated from performance to performance while the detail is always quite different. The collaborative pieces are less formalized and depend hugely upon the input of my co-performers. I am very grateful to have worked with them.

Conceived as two halves of a single piece, Resonate (noise) and Resonate (tones) seamlessly crossfade from one to the other. Both are sustained-sound pieces, the first exploring noise textures, the second exploring dense, quasi-orchestral harmonic territory. Both pieces employ original software which generates sound using a type of granular synthesis, triggering sampled sources many hundreds of times per second.