True Delusion

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Limited to 500 copies by Nexsound.

“Ten months passed between conceiving the idea and the beginning of experiments with minimalist harmonic overtones made with acoustic guitar in the beginning of 2004 and the end of work on True Delusion album in late 2004.

The first six of them were the months of thinking and contemplation, traveling and trial recording of instruments in habitable rooms and kitchens, recording and auditing of rural nature sounds by night and by day.

The very idea was simple at first. I meant to play the guitar experimenting with minimalist harmonic overtones. Meanwhile I tried to take deep rhythmic breaths timed with guitar sounds. The result was almost meditative, as the guitar buzzing sound was slowly fading out and the body felt close to hyperventilated. However, in view of my desire to further progress with composition, I decided to go beyond repetition and minimalism.

Later the album progressed in terms of the similar use of the piano. It was not exactly harmonic overtones, but the sound was slow, melodic and minimalist, so the album can be conventionally divided into two parts.”